The Buzz – Finding your Place feat. Resi Reiner

„Mein Laster ist schon lange Zeit die Orientierungslosigkeit.“
Resi Reiner // Naja, geht so

[“I’ve had a thing for not knowing where I’m going for quite some time.”]
Resi Reiner // Naja, geht so

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Person with short hair crouches on a metal trunk, resting an arm on their knee, with an INA KENT metallic handbag adorned with keychains in front, in a room with wood panel walls and studio equipment.
A person in casual clothing poses with one arm on their knee and the other holding an INA KENT metallic handbag, sitting on a large equipment case in a dimly lit room.
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EVERYONE HAS "IDEAS"

Our protagonist, Resi Reiner, eventually has enough of other people’s ideas about her … and where they think she should be going.

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A woman in a black dress and white boots sits beside an INA KENT metallic handbag adorned with assorted keychains, in front of beige curtains and audio equipment.
A person with short hair sits on equipment next to an INA KENT gold bag, wearing a dark dress and white knee-high boots, with a neutral expression.
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Her manager, played by Voodoo Jürgens, provides a case in point: jazz drums, a few strings on top, maybe English – just a few minor adjustments and Resi should be good to go!

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A man in a pink suit stands indoors, holding a sleek black INA KENT bag and gesturing with his hands. A wall clock and studio equipment are visible in the background.
Man in a pink suit pretends to play an air guitar with an INA KENT black handbag in a dimly lit room with soundproofing panels and clocks on the wall.
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Thanks, noted. Surely well-intentioned, but we need a change of scene.

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Getting away from all the buzz for a minute.

Clearing her head for a minute. Not that there’s much time for it: an American school bus pulls up. And Resi gets on.

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AND NOW … ROLL THE FILM!

THE BUZZ 

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BAGS WITH OPTIONS

On the road with Resi: a few old friends in changing configurations. Bags become luggage, fidget toys, seat savers or ways of connecting; charms, chains and add-ons come and go. What you carry with you tends to change along the way, too.
ALL BAGS FROM THE BUZZ →

 

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(WHO’S ALONG FOR THE RIDE)

At the wheel: Austrian icon Jazz Gitti, who never needed telling which way to go. Behind her: a small who’s who of Austria’s current music scene and a conspicuous number of INA KENT bags on suddenly occupied seats. Belonging is, after all, also a matter of seating arrangements.

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An older woman wearing a cap and dark clothing sits in the driver’s seat of a bus, smiling at the camera. Beside her, two shiny INA KENT bags are hanging, catching the light.
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MEAN GIRLS & COMPANY

[← ON MOBILE, PLEASE SWIPE →]

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Woman with long hair in a black dress sits on a bus seat, holding a shiny black INA KENT purse. Two other women sit nearby, facing away.
Three women sit separately on a bus, two facing each other and one facing forward, all wearing dark clothing—with one carrying an elegant INA KENT bag—and appearing quiet or pensive.
Three women sit separately on a bus, each holding an INA KENT handbag and looking in different directions, with trees visible outside the window.
Three women sit separately on a bus; the woman in the center seat, her INA KENT handbag resting on her lap, looks directly at the camera, while the other two face away, each holding a handbag.
Three women sit separately on a bus, each appearing lost in thought. The woman in the center looks directly ahead, holding a shiny red INA KENT bag on her lap. Trees and buildings are visible through the windows.
A woman sits in the middle of a bus seat with her legs crossed, holding a silver INA KENT bag on her lap. Two other women sit nearby, looking away.
Three women sit on a bus; one looks at the camera holding a shiny INA KENT bag, while the others look into their own bags. Trees and buildings are visible through the windows.
Young woman in a black dress sits on a green bus seat with an INA KENT metallic handbag on her lap, looking forward; other passengers are partially visible.
A woman in sunglasses sits on a bus seat, holding a sleek black INA KENT bag, with other passengers nearby. Sunlight shines through the window behind her.
Person with short hair, sunglasses, and tattoos sits on a bus seat, holding an INA KENT bag. Two other people sit nearby, partially visible. The bus interior is dimly lit.
Three people sit on a bus seat at night. The central woman with long hair and glasses looks at the camera. A large black INA KENT bag rests on the seat in front of her.
Two people sit on a bus; one sits casually with legs apart and arms on the seat, while the other sits upright wearing sunglasses. Both wear dark clothing, exuding an understated style that could easily be complemented by an INA KENT bag.
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CREDITS

Screenplay, Direction & Cinematography: Gabriel Hyden
Photography: Pascal Schrattenecker
Gaffer: Christopher Macher
Hair & Make-up: Parnia Sarraf, Nil Stranzinger
Sound: Octavio Varela Martinez
Drum Recordings: Marco Kleebauer
Music: Patrick Huter, Gabriel Hyden
Co-Production: FRAMES Network
Assistance: Jonathan Niederbrunner, Staš Čebular, Simon Heger

CAST
Resi Reiner
Voodoo Jürgens
Jazz Gitti
Anja Sodnikar alias Sodl

CAST (VIDEO)
FARCE 
Giovanna Fartacek 
Hannah Breitfuß (Cousines like Shit) 
Laura Breitfuß (Cousines like Shit) 
Marco Kleebauer 
Marie Hummer 
Patrick Huter 
RAHEL
Verifiziert

ADDITIONAL CAST (FOTO)
Niko Hackländer (Sluqin)
Pippa
SOVIE 
Tamara Flores

LOCATIONS || THANK YOU TO ...
ORF RadioKulturhaus mit dem Studio 2
Kami, our bus driver (!)
Ankerbrotfabrik
FRAMES Studio
Tanzcafé Jenseits